Boldly Going

Of Gravity Wells and Faith

Marie Brownhill
Game Industry News is running the best blog posts from people writing about the game industry. Articles here may originally appear on Marie's blog, Fan Collective Unimatrix 47.
Facebooktwittergoogle_pluspinterestmail

In last week’s episode, Mercer and crew tackled societal ideals regarding gender in a slightly over-simplified way, and while I didn’t agree with it, I could see promise for the fledgling series. This week, The Orville managed to capture most of the feel of my beloved Star Trek: The Next Generation with a comparative minimum of MacFarlane’s signature humor, which as I have discussed before does not always resonate with me. Warning—spoilers ahead. Read at your own risk.

While mapping stars at the edge of unknown space, the Orville discovers a massive ship floating dead in space on a course that will take it into the gravity well of a star, which will destroy the vessel. Mercer, Kitan, Grayson, Dr. Finn, and Isaac take a shuttle to the stranded behemoth and discover it to be a massive colony vessel, with what appears to be a roughly modern-day society existing beneath the vessel’s great dome. Upon splitting into two groups, the Orville crewmembers discover that the society is a theocracy under the control of Hamelac (played by the ever-capable Robert Knepper) who rigidly enforces the orthodox believe that there is no universe but that created by Dural but that there is also a dissident group of “Reformers” who believe that there may be more to the universe than that which they can see. We, as viewers, know that clinging to orthodoxy will result in the deaths of everyone on board, but Hamelac sees heterodoxy as a threat to his power structure. There’s nothing particularly new about this storyline, but the Orville tackles it nicely and does not shy away from exploring how violence results from this schism. Ultimately, our intrepid heroes are able to resolve the schism by returning to the residents a view of the stars with a little help from an explicative cameo by Liam Neeson. It’s a solid story, and though the resolution seems to come too fast, the show’s visuals more than make up for it. Finn quotes Emerson as the roof of the massive vessel opens, revealing to the people the great wonder that is the expanse of stars.

Aside from the primary story line, the show offers us tidbits of further developments to come. The opener features a frustrated Klyden chastising Bortus for not spending nearly enough time with his family, and it’s a nice parallel to the situation that caused Mercer and Grayson to divorce as well as a potential teaser of fallout from the events in “About a Girl”. There is some fantastic griping between Grayson and Kitan about Kitan’s lack of love life, and relevant to Grayson, Adrianne Palicki is fantastic during the torture sequence. In fact, I may have guffawed when she makes a Friends reference. There is a bit of a random event that pulls the Orville itself away from the vessel, and while that did not have any real impact on the events on the colony vessel, I hope that we’re starting to see some development for LaMarr as he and Malloy are the weaker links in the series. We also have the first real episode to feature Isaac, and he seems to be slotting into the Data/Spock role.

Claire Finn shines enough that she gets her own mention because she has to suffer Yaphit’s continued harassment, which the show seems to think is funny rather than creepy. Let’s be honest, Yaphit is sexually harassing the doctor, and I dislike that it’s played for laughs. Certainly, Penny Jerald’s Finn is more than capable of shutting Yaphit down, but we shouldn’t be laughing at it. On a more positive note, the medical technology in The Orville is just really cool, and it’s radically different than what we’ve seen before. I hope we get to see more of it as the series continues to flesh out the world.

All in all, despite its flaws, The Orville continues to improve, and I’m looking forward to next week’s offering, especially as Charlize Theron is guest-starring.

2 thoughts on “Of Gravity Wells and Faith”

  1. Did you catch the fact that Kitan might have been asking for permission to date Mercer from Grayson? She was impressed that he was the only man on the ship who doesn’t care that she is so strong. Then later when she is revived, she looks up and sees him and comments that he came and found her. I really like her character and it might be interesting to see what might happen.

    Also, given what happened in About a Girl, I was worried that they might pull some Prime Directive BS and fix the ship but then cast them off into space without letting the devout people know the truth. Having the ship be a convertible was a little too convenient, but there was only a few minutes left to change the society before the end of the episode. Anyway, I thought this one was really strong. Loved the gamer reaction when they shot down the enemy ship too.

    1. I did see that, and I’m trying really hard to pretend it’s not going to happen. I confess…that also feels a bit like wish fulfillment on the part of MacFarlane, and I hope that the show does not decide to play her crush on him for laughs.

      I agree that this was a solid episode, and I’ve seen some similar reactions regarding the potential Prime Directive business. Thing about it is that the Prime Directive doesn’t exactly apply in this case. The society built the ship; they just don’t remember doing it. That said, I, too, am glad that they opted to do that big reveal, and yeah, the sunroof was convenient. I’m good with it.

Leave a Reply

Your email address will not be published. Required fields are marked *